Archive for January, 2011

GET BOTH COVERS !

On January - 28 - 2011



Just like there are two sides to every story, there’s duality when it comes to art. The tattoo world may be the best example of this concept. From the way tattoos are applied to the way they’re interpreted, these permanent skin paintings are sure to cause a reaction and spark debate as to the meaning behind them. Take for instance the image of the lovely old gas mask. Some would see it as horrific, others an item of pop culture, and regardless of whether it instills fear or intrigue, this image could be interpreted in more ways than one. For some it would represent fear—or the suffocation—of oneself against the moral decay of society, but for others, such as myself, I’d see it as symbolic of filtering what you take into your head. You see, the true beauty of art, tattoos, pop culture, and the world we live in lies in the simple fact that life’s experiences and lessons ultimately dictate what and how we view things, and the purpose for this double cover is no different. We wanted to offer two different views, two different takes on one single subject, and while some will obviously fancy one cover over another, it’s just Bound By Ink’s way of taking things to the next level while offering the world a benchmark, forum, and portal to express their feelings through a medium that best represents a lifestyle that has no apparent limitations.
With that said, we welcome you to the first quarter of the new year. We are humbled and truly value the response and readership we earned in 2010. We look forward to welcoming so many new friends, readers, and enthusiasts in 2011 who share our mutual respect for the tattoo culture and lifestyle. It is my sincere hope that this issue kicks off the new year in the only way Bound By Ink knows how—with style.
JOHN JARASA
Editor


IRON MAIDEN

On January - 28 - 2011


It’s been said that there are two things that are certain in our lives: death and taxes. That said, Boston born (but Phoenix raised) Maegan Machine has carved out a pathway of success that leaves her happy, but still broke. “I grew up poor,” says the energetic and vibrant model, adding, “Nothings really changed because I’m still poor. I guess you could say that I’m a starving student with no car, but inside I’m rich beyond belief because I’m happy.”
In the space of the past few years, tattooed models have experienced an upsurge in popularity. They went from invisible to visible, have a rash of fresh opportunities, and now they’ve shattering the glass ceiling that once held them captive in an underground arena. But the action, the glamour, and the glitz hardly affects the outlook of Maegan Machine. As a model, she understands that the opportunity is a gift and not a given, and she’ll be the first to let you know that as the beauty withers, and the pickings come slim. She’s ready for whatever. “It’s my education and the hard work that I’m putting into school that’ll get me ahead in the future. The modeling is great, but I know it won’t last forever.” As she talks to us about her past, her present, and her future, one can’t help but notice her highly animated character and high-energy charm; as we get deeper into conversation, she reveals a realistic and intelligent outlook on her childhood as well as her future. In short, she’s brutally honest, hates a band that we happen to love, but in the end, she’s a well-versed poster child for a woman living her American dream.
Earlier we touched on your high school upbringing. You mentioned that it was rough and that you were picked on a lot. Did that experience teach you anything at all?


TIM HENDRICKS

On January - 28 - 2011

Tim Hendricks is a lot of things to a lot of people: a tattoo artist, a machinist, a painter, a surfer, a skater, a husband, and a good friend. Ask him and he’ll definitely tell you that “tattoo artist” is the one thing he was born to be. While he is an amazing artist, and definitely represents those other aspects of his existence succinctly, it quickly becomes clear that the one thing he’s not is a phony. No, Tim is the real deal; an artist who breathes creativity, cut from the very cloth that made the culture what it is today. For the first time in a Bound By Ink interview, names like Owen Jensen, Milton Zeiss, and Paul Rogers are mentioned by a subject. Terms like “coils” and “footswitches” are as relevant in this thriving artist’s vocabulary as the clouds are to the sky. After a few minutes of speech, this disciple of the culture is preaching the gospel of tattooing, according to Tim Hendricks. And the world is listening. “My life is fucking amazing, and I truly love tattooing,” he gushes. “There’s an expression I love that goes, ‘My riches consist not in the extent of my possessions, but in the fewness of my wants.’ It’s true, I’ve gotten more out of life than I ever thought I’d have when I was growing up, and it’s all because of tattooing.” While the quote comes from J. Brotherton, the sentiment comes from Tim’s heart, and that heart beats with the same fervor as the vibrations of the tattoo needles that he still makes by hand.

POWER IN NUMBERS

On January - 28 - 2011


We’ve all been there before, aglow in the allure of a gambling high, standing in the C-shaped circle around a craps table. Somewhere tucked in between all of the cigarette smoke and nervous chatter lies a quiet excitement. An excitement triggered by the greatest sound in the world: the shaking of dice. Listen to it. It’s sexy, it’s dangerous, it’s magical. It’s all of those things because we realize that the bettor’s fates lie within the numbers that will show on those die. Win or lose, it’s all in the numbers. Those numbers determine the difference between the lucky and unlucky in gambling, and numerologists believe that numbers also have a direct impact on real-life fates as well.
The Ancient Greeks believed in it, thanks to the teachings of Pythagoras, who felt that the mathematical patterns had more impact on real life events than did physical energy. The Egyptians believed in sacred connotations of the numbers two, three, four, and seven, and some of these connotations can be seen throughout various religions including the 5% Nation of Islam. The Hebrew system of Kaballah also places a heavy emphasis on numbers in “gematria,” a belief that words have a mystical meaning based on assigned numeric values.


CARNIVAL OF COLOR

On January - 28 - 2011

Some artists are content with pushing the envelope. That phrase simply doesn’t do justice to famed color portrait tattooist Nikko Hurtado. No, he’s more likely to take that envelope and shove it down the throat of contemporary constraint. Renowned for his stunning 3D color portraits and Dia De Los Muertos–themed pieces, Nikko is revolutionizing the color tattoo world, one sitting at a time. Timeless author Oscar Wilde once wrote, “Mere color, unspoiled by meaning and unallied with definite form, can speak to the soul in a thousand different ways.” By this logic, Nikko Hurtado is a 10,000-watt bullhorn blaring at your inner spirit through his phenomenal ink workings and shaking the foundation of what you thought a color tattoo could look like. Don’t get it twisted though, just because “Nikko” rhymes with “ego,” be clear that vanity is not this artist’s muse. “I just never dreamed in a million years that someone would pay me to draw something on their bodies,” Nikko says from his Hesperia, California, studio. “I get so much support from my girl, my friends, even past clients, and I just appreciate it so much; I’m honored every time I’m asked for work.” After a glimpse into his world, it is evident that his clients reciprocate this honor. Travelling the convention and private studio scenes heavily for the past four years, Hurtado has seen clients come from thousands of miles just to receive his one-of-a-kind color portraits.

EASTERN PROMISES

On January - 28 - 2011


Telling someone to go to Northern Ireland to get an amazing Japanese traditional-style tattoo is like telling someone to go to the North Pole to get a really great bikini. The two would seem to have no connection whatsoever, and would almost seem to be polar opposites, pardon the pun. That is until you find out about the most unknown bridge in all of Northern Ireland. This is not a bridge that has graced a calendar or been photographed for puzzle art. It is not a bridge that has made the pages of Architectural Digest, or been built as a backdrop for an epic movie set on the world’s greenest island. No, this bridge is White Dragon Tattoo Studio artist Chris Crooks, a man who is himself a link between artistic movements and cultures through his amazingly detailed, large-scale, traditional Japanese tattoo work.
Chris Crooks’ talent defies the “product of your environment” theory. After all, Northern Ireland is hardly the place for the discipline of Japanese tattoo art to thrive; still, Chris has managed to turn his Belfast,Ireland–based, studio into a Western hub for Eastern art. His appreciation and reverence for the art form is genuine, lest you think he is trying to milk his unique abilities as a cash cow. “It’s an honor to get to do something so culturally based; it’s very special to me to have even the smallest bit of acceptance in that world,” explains Chris. He cites inspirations amongst the elite in the culture, looking up to artists like Phillip Lou, Horiyoshi III, and Shige. It would be while receiving sleeve work of his own from Shige at Yellow Blaze Tattoo that Chris would finally be in a room with one of his idols. He seized the moment. “I began getting a sleeve by Shige, and I asked him to go through my portfolio; it was the most nerve-racking thing I’ve ever done,” Chris says with a smile that can be heard through the telephone. “To sit with such a renowned Japanese artist, and have him look at my interpretation of his culture was over–whelming. Here I am from a little green island thousands of miles away, and I’m just hoping that it’s not disrespectful.”